Each of these lush landscapes looks like a photo taken in the vast wilds of Middle-earth, but they’re actually incredibly awesome aquariums. It’s been a year since we first discovered the world of competitive aquarium design, aka aquascaping, and the winners of the 2015 International Aquatic Plants Layout Contest (IAPLC) have just been announced.
Currently a nascent art form (begun in the 90s), aquascaping involves the painstaking arrangement of aquatic plants, rocks, driftwood, and other hardscape elements in massive tanks that take years to prepare. It’s underwater ornamental gardening, sometimes with fish as garden residents.
“The art of aquascaping is still a fledgling endeavor, first started in the 90s by Japanese wildlife photographer Takashi Amano. The annual IAPLC competition has grown dramatically since, with the 2015 contest seeing 2,545 entries from 69 countries. Japan, China, Brazil, and France dominate the top finalist spots (only 13 entries were from the United States).”
Japan’s Takayuki Fukada was the 2015 IAPLC grand prize winner with this beautiful aquarium entitled “Longing”:
Visit Colossal for additional photos and to learn more about the art of competitive aquascaping.
we never really covered the 2015 IAPLC – so here is something about it. After the death of Takashi Amano there was some speculations if his company will continue to organise and sponsor the probably highest profile competition of global aquascaping. Now, it seems they will, the announcement for the 2016 contest was made recently.
Just when you thought octopuses couldn’t get any more fascinating, they do!
A paper published on January 28th, 2016 in the journal Current Biology found that there is more to octopuses changing colors than camouflage or anti-predator behavior. Using close to 53 hours of recorded video and 186 interactions in a heavily octopus-populated area off in the waters of Australia, the scientists found that some displays of colors are signals that actually mediate combative interactions with one another.
(Octopus in foreground turn pales when retreating from confrontation with another octopus, seen standing tall and menacing in the background. Photo by David Scheel)
This is the first study to document the use of signals during aggressive interactions among octopuses.
David Scheel recalls for NPR the first time he observed this behavior: “I took a look fairly early on at one sequence in which one octopus approaches another in a fairly menacing way. He gets all dark, stands up very tall, and the other octopus crouches down and turns very pale. And then, when the approaching octopus persists, the other one flees. And this is immediately followed by the first octopus approaching a third octopus that’s nearby. And the third octopus turns dark and doesn’t crouch down. He just stays where he is, holds his ground.”
Excerpts from the paper:
Interactions in which dark body color by an approaching octopus was matched by similar color in
the reacting octopus were more likely to escalate to
grappling.
Darkness in an approaching octopus
met by paler color in the reacting octopus accompanied retreat of the paler octopus. Octopuses also dis-
played on high ground and stood with spread web
and elevated mantle, often producing these behaviors in combinations.
(Source: Scheel et al. 2016)
“[An aggressive] octopus will turn very dark, stand in a way that accentuates its size and it will often seek to stand on a higher spot,” explained Professor Godfrey-Smith to the BBC.
The scientists in this research actually dubbed the pose “Nosferatu” because the spread of the octopus’s web was reminiscent of a vampire’s cape, and they looked like Dracula was approaching his prey.
In the end, the color displays ultimately are correlated with the outcome of the interaction.
(Source: Scheel et al. 2016)
Scientists don’t exactly know why octopuses engaged in such heated and feisty exchanges. “It could be an attempt by one or more animals to control territory, as we saw males excluding males but not females, but this isn’t always the case,” Professor Godfrey-Smith said.
It had been previously thought that octopuses were mostly solitary creatures, and changes to body color and shape were viewed as tactics to avoid predators or to hide. This study however not only shows a very interesting range of behavior, but also may indicate complex social signaling.
Octopuses actually have a pretty exciting and dramatic social life after all.
The video above shows a dark-colored octopus, standing in the Nosferatu pose before attacking another dark-colored octopus, which eventually turns white and retreats.
The strawberry top shell is a species of small sea snail, a marine gastropod mollusk in the family Trochidae, the top shells. The size of an adult shell varies between 13 mm and 22 mm. This species occurs in the Indian Ocean off Madagascar, the Mascarene Basin, Mozambique, KwaZulu-Natal (South Africa) and Tanzania.
This beautifully diverse group of sea slugs can be found in oceans worldwide, but its greatest variety is located in the magical habitat of warm, shallow reefs. It’s name comes from the Latin for “naked” (nudus), but it’s often informally called a “sea slug.” Today, a profile of a group of marine gastropod called Nudibranchia.
Unlike other mollusks (think snails), most nudibranchs have lost their shells, evolving other mechanisms for protection. For example, some are able to ingest and retain poisons found in prey, later secreting them for defense.
All known nudibranchs are carnivorous, feeding on a variety of sea life including sponges, other sea slugs, and barnacles. One species, Glaucus atlanticus, is known to prey on the Portuguese man o’ war!
Hermaphroditic, nudibranchs have a set of reproductive organs for both sexes, which means any creature can mate with another. That said, a nudibranch can’t fertilize itself.
According to National Geographic, “some nudibranchs are solar-powered, storing algae in their outer tissues and living off the sugars produced by the algae’s photosynthesis.”
The creature has very simple eyes (able to distinguish little more beyond light and dark), but have cephalic (head) tentacles that are sensitive to touch, taste, and smell. Its gills are uncovered, located behind their heart, and protrude in plumes on their back, making for a large surface area that grants more efficient oxygen exchange.
This Lovecraftian monstrosity may look like an amalgam of dying octopuses, but it’s actually a single creature called a Basket Star, a type of deep sea brittle star. They can reach up to 11 pounds in weight and 70 cm in length!
Aaaaa. <3 Thank you for bringing these to my attention again. It’s been a while and it is one of my favourite creatures. They can walk across the bottom of the ocean and they’re lovely.
Look at how pretty it is. If I had to draw one creature for the rest of my life and nothing else, this would probably be it. Branched limbs and swirls and primitive mouths.
