I haven’t really looked into Callie and Marie yet, but I know their voices are keity.pop(Callie) and Mari Kikuma(Marie). Finding some of their non-splatoon music is pretty difficult tho.
But with Pearl and Marina, it’s actually pretty darn cool.
Pearl’s voice actress, Rina Itou, is the lead guitarist and vocalist of a rock band called “Lighter190E”. You can find their stuff on Spotify&AppleMusic, and when you hear it, you can totally tell it’s Pearl’s voice without the Inkling Filter on.
Then there’s Marina’s voice actress, Alice, who’s a half-American, half-Japanese J-Pop singer, specialized on soulfull, balade-like songs. Again, you can totally hear Marina in her work, and it’s just cool to hear these vocals without the seafood-people filter on it.
Rina and Alice are actually pretty good friends and extremely proud of their involvement in Splatoon, to the point that on their official YouTube channels, they will often drop likes on comments that just go “Pearlie~!!” or “Ma~ri~na~!”
They even did an (unofficial) Splatoon-themed livestream on LINE together, where they answered questions about their opinions on their characters, sang together (without the filter!) and fangirled over the then-upcoming release of their Amiibos. Somebody uploaded recordings of said livestream onto YouTube, but sadly, nobody has subtitled them yet. I promise they’re pretty darn cute tho. All clips from the Stream here:
For those of you that like everything neatly organised, here’s links to EVERY ONE of my first 150how to THINK when you draw TUTORIALS, in ALPHABETICAL ORDER for#SkillUpSunday!Enjoy, link, pin, share! Cheers!
There are some solutions and workarounds for turning off Windows Ink, which seems to be the root of the problem of making people’s pens go crazy. It will make your tablet actually start working decently again with your normal commands/gestures, but due to some kind of bug or whatever, turning off Windows Ink also disables pen pressure. So how do fix for a workaround? The first is the Photoshop Fix that was found by @mandyjacek(click for the thread!) where you have to go into Photoshop’s files and add in a txt file you can write very simply yourself that forces Photoshop to use the TabletPC API instead of the WinTab API. After a restart, it began working for me again more or less like it should.
The Second is in SAI:
i was almost as if the developer knew there were gonna be some bullshittin’ down the road and gave us an option.
I haven’t seen a fix for CLIP STUDIO or other art programs yet, but this is at least a start until Windows and Wacom get get back to seeing one another eye-to-eye again.
These have at least worked for me, and I hope for you all as well.
not sure if this has been found already but i found something that worked for for me with CLIP STUDIO.
first turn OFF windows ink!
Then open CLIP STUDIO and go into PREFERENCES
Finally go onto the Tablet option. from there change it from TabletPC to Wintab!
hopefully this will work for you if you use clipstudio!
For artists who have problems with perspective (furniture etc.) in indoor scenes like me - there’s an online programm called roomsketcher where you can design a house/roon and snap pictures of it using different perspectives.
It’s got an almost endless range of furniture, doors, windows, stairs etc and is easy to use. In addition to that, you don’t have to install anything and if you create an account (which is free) you can save and return to your houses.
The program is called Sculptris and is a free off-shoot program from Zbrush, that program that you keep hearing about but either takes selling your kidneys or piracy to actually use.
If you download it and sculpt out a facial model, you can have references for your own work for all of time. No more endlessly searching Google for reference materials or twisting/rotating/flipping a drawing to see if there are flaws. And you can easily edit it to create more facial types. This way, you can make character references for any and every face and facial angle that you can think of.
The program offers mirroring right from the start, so your faces will be perfectly symmetrical. You can turn off the symmetry for things like scars or otherwise.
It takes a little time. For instance, I downloaded the program on Christmas and, in my spare time, this took a few days of getting familiar with the program (first day) and then sculpting for a few minutes each day, mostly due to my perfectionist nature. And this one isn’t even done. I still have to mold the mouth, ears, and other smaller aspects before I consider it done. However, I was so giddy over the possibilities that I wanted to share this with my fellow artists.
From now on, I have reference for a face in my own style and will be able to create things so much easier in the future.
I hope that this helps you guys and that you have fun with it.
I absolutely recommend Sculptris!
UH
GUYS????
This really useful oh my goodness. It takes a little figuring out, but once you get the hang of it it’s actually pretty easy. Just watch a couple youtube videos. Seeing how other people do it helps you to make sense of it.
OH BOY LOOK AT THIS HANDSOME SILLY do you know how hard his stupid face is to figure out at different angles? DO YOU??? Now I have a 3D ref!!! AAAHH!! so excite much 3d wow very angles wow
I’ve said this before and I’ll say it again: sculptris is an amazing 3D modeling tool for how small it is and is a great place to start whether you just want drawing references for your characters or you actually want to get into 3D modeling.
hello! I recently found this rad app called “CamScanner”, a mobile app for android and iOS
what does this app do? well, basically it imitates a scanner, so even if you don’t have one, you can take real cool pictures of your drawings!
for this to work, i suggest you take a picture of your entire paper / sketchbook / etc. The app will automatically crop your picture and come out with something like this:
(sometimes it wont be too accurate, but that can be easily fixed by moving the frame yourself)
once scanned, the app will make it so your drawing looks like this:
(the app will have some presets, so you might want to mess around with those. OR you can mess with the settings yourself to get a look you desire)
this can be really helpful if you plan to color your traditional piece on a computer, or something similar.
this can even work with colored drawing, if you’d like!
original:
edited with CamScanner:
if you mess with the settings yourself, i bet you could get the picture to look better, as i did this with the presets.
5.0 out of 5 stars Five Stars 5.0 out of 5 stars A poetic and unusual perspective on marine invertebrates To say that biologists can learn about modern sea life from glass models made 140 years ago is to credit both worlds: the close observations of the contemporary scientist and the extraordinary skill of the late nineteenth century Dresden glassmakers Leopold and Rudolf Blaschka. In her book, A Sea of Glass; Searching for the Blaschkas’ Fragile Legacy in an Ocean at Risk, Drew Harvell, Professor of Ecology and Evolutionary Biology at Cornell University, has succeeded in bringing their glass models to life, searching to find their living counterparts. Each is a metaphor for the other. She sees the glass models as time capsules. Her favorite, the glass model of the common octopus, was carefully restored recently from many small pieces while its living counterpart also lives tenuously today, in its natural habitat. Thus this beautifully written, absorbing, purposeful and eye-opening book presents a time warp: late 19th century glass models and contemporary real specimens, studied on dives by the author in Indonesia, Italy, Hawaii, and the San Juan Islands, Washington State, as well as the low tide flats of Creek Farm, near Portsmouth, New Hampshire.The author begins with a history of these Czech glassblowers, telling how Leopold’s 1853 sea voyage and his observations of jellyfish in the Atlantic, including the Portuguese Man of War, led to a fascination with invertebrate sea animals. This book restores to public view the importance of these invertebrate models which until now have been less well known than the Blaschkas’ glass flowers, notably those in the collection at Harvard University. With this book, the invertebrate sea creatures retake center stage, both for their art and for their contributions to the study of nature or, as the author puts it, the tree of life.Read more › Go to Amazon5.0 out of 5 stars fascinating in the discussion of both biology and art, jaw-dropping photos of the glass sculptures Drew Harvell’s A Sea of Glass: Searching for the Blaschka’s Fragile Legacy in an Ocean at Risk is a braided work of non-fiction whose three strands focus on the creation of a 19th Century collection of exquisitely crafted glass replicas of marine invertebrates, the biology of the creatures themselves, and Harvell’s attempt through a series of dives to learn how these creatures, so plentiful at the time of their reproduction in glass, are doing in a world grown mostly more inimical to their existence thanks to overfishing, pollution, and most especially global warming.The Blashchkas, a father and son glassmaking team, ended up creating almost 800 of the finely detailed replicas as teaching tools for universities (they were actually more famous for their glass flowers, many of which were displayed in royal gardens). Their dedication and artistic ability can be traced through their letters and journals, through the painstaking notes they took, through the watercolors they created before attempting the same creature in glass, and through the incredible detail of the sculptures, of which experts at the Corning Museum of Glass declared that they could think of no peers, living or dead, who could have achieved the same fine work.Harvell is an excellent guide to the naturalist account of how these creatures live—what they eat and how, how they reproduce, their place in the environmental food web, etc. All of it, explained in precise, clear language is utterly fascinating, even when she describes what she acknowledges are often thought of as the more “dull” creatures, the worms.Meanwhile, her attempt to evaluate these creatures’ vitality in their current existence is highly personal and emotional.Read more › Go to Amazon