Autumn Fox kit, super hyper cute photoshoot seen on
Cool Coats&Jackets&Capes
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(via musetensil)
Source: monsteryep
Samoseli Pirveli (meaning “first garment”) is a shop that specializes in traditional Georgian clothes, which differ according to the “strata and regions of Georgia” (source). One style of garment is called a “chokha” and another, “kalakuri kaba” (meaning “city dress”). Each image has a line of English categorizing the clothing style.
Georgian folk costume is the classiest-looking form of clothing on the face of the earth.
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Source: writersblockbuster
Ultra Soft One of a Kind Asymmetric Hoodie Eve™ made with Premium Cotton Blend. Perfect for a chilly Evening. A Great Gift for your Friends and Family
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Source: saltycaffeine
Several of the most well-known regional costumes from Poland. Edited from the source.
You can check out my side blog polishcostumes.tumblr.com (there’s a list of /regions) to explore other folk costumes from Poland :)
(via lamus-dworski)
Marjorie & C. H. B.Quennell, Everyday Things in Archaic Greece (London: B. T. Batsford, 1931).
Wait, wait…. Is that seriously it? How their clothes go?
that genuinely is it
yeah hey whats up bout to put some fucking giant sheets on my body
lets bring back sheetwares
When you’re carding, spinning and weaving everything from scratch, using the big squares exactly as they come off the loom must seem like a fucking brilliant idea. 90% (or more) of pre-14th century clothing is made purely on squares (and sometimes triangles cut from squares).
How did they get the fabric so fine it draped like that? Was that something medieval europe forgot? Or do I just have a completely misguided image of historical clothing?
Medieval Europe also had incredibly fine weaves, though the ancient world tended to have them beat. Linen was found in Egypt woven with a fineness that we’re still trying to replicate, and there was a kind of cotton woven in India called ‘woven wind’ that was supposedly still translucent at eight layers, and wool shawls so fine that the entire thing could be drawn through a wedding ring.
The way they could get away with pinking and slashing doublets in the 16th century was partially because the fabrics were so tightly woven that you could simply cut a line on the bias and nothing would fray.
Modern fabric machining sucks ass in terms of giving us any kind of quality like the kind human beings produced prior to the Industrial Revolution.
(via musetensil)
Source: intheheatherbright
Source: omgthatdress







