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seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
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seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
Zoom Info
seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
Zoom Info
seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
Zoom Info
seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
Zoom Info
seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
Zoom Info
seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
Zoom Info
seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
Zoom Info
seandunkley:
“ toshinho:
“ PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples  Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!
I’ve archived series of...
Zoom Info

seandunkley:

toshinho:

PERSPECTIVE & WARPED PERSPECTIVE TUTORIALS with Samples

Please consider REBLOG and not just like, cause you’re not only supporting me but help others with getting use to perspective drawing!

I’ve archived series of perspective & warped perspective tutorials that I made in the past with minor revisions and added samples. I believe some people have struggle with perspective probably because of the impression of complexity and the fancy terms that comes with it. I’ve met many artists that just didn’t want to deal with the all fancy terms like “3 point/4 point” perspective and walked away from it and I understand that feeling. Personally these terms are quite useless and that the important part of perspective drawing is really just capturing the dimension and getting use to it. (When I do perspective drawing I put very little consciousness in points & lines but towards how my brain is seeing the depth and dimension.)

When I first learned perspective drawing in elementary school art class, my teacher taught me the conventional method with ruler, lines and dots. While it provide accuracy, it tends to require alot of lines and wide space where your starting points existing way off the page and perhaps this might be the reason why some people find it tedious and hard to deal with. So I’m going to ditch using ruler and the fancy term and demonstrate them in much simpler approach.

I purposely build these tutorials in raw pencil rather than the nice looking digital tutorials because I want to show you that it’s not about the precision and accuracy that makes convincing perspective but a daily scribble and eye-balling. Treat them like any other drawing practice, doing tons of freehand and eye-balling to grasp the dimension in your head. I wont stop you from making a use of a ruler, however perspective drawing is a vital practice to improve your line work as well. (Personally when I use a ruler, my perspective looses the sense of dynamics and objects would look too uniform. Besides clean straight lines has no personality and can look dull at times.)

1 BOX - Method

  • The idea is that when drawing 2 squares with different size (having same or similar ratio) you have already managed to create an illusion of dimension. By connecting each corners with four lines you are dealing with perspective. The key to this practice is that you’re trying to place your consciousness on dimension and not towards drawing a nice looking box. Train your eye-balling by making use of the four extending lines from each corners to get the perspective line without the need of referencing the focal (center) point.

2 & 3 PLANE - Method (The lower portion of third image)

  • Basically it’s the reverse of conventional point based perspective. You’re not drawing from the point but towards the imaginary point. When you draw a square shape in an angle, you manage to create first step of illusion that suggest dimension, so this tutorial is trying to take advantage of that situation. (Tho it’s heavily dependent towards your EYE-BALLING SKILLS!)

4 FISH - EYE TUTORIAL

  • This is pseudo “Fish-Eye” tutorial that is trying to simulate fish-eye lens on a camera. The idea is that the object close to the center has fewer distortion and will cause more distortion as it gets further towards the edge of the lens (sphere). I believe that warped perspective requires a bit of confidence in handling normal perspective drawing. More so the sense in eye balling is needed, so get use the normal perspective drawing first and then start mixing warped perspective into your practice.

My 2 cent is that rather than using a big space on an empty page/canvas, draw a frame and then start drawing. (You can see me do that on few of my samples.) This tip apply to general drawing as well since “big empty canvas” can be a bit intimidating. By setting a frame or a border, it’s actually you’re first attempt on creating an illusion in a 2D space.

My final note is that even though you’re doing a freehand, a sloppy lines will break the illusion, so pay attention to where the line starts, how it flow and where it ends.

Support me on Patreon so I can create more artworks and tutorials!
MY PATREON PAGE –> www.patreon.com/toshinho

Harness the Beast that is perspective~

(via briskby)

    • #art
    • #perspective
    • #neat!
    • #but also intimidating haha
  • 2 years ago > toshinho-deactivated20171103
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yesterdaysprint:
“ The Tacoma Times, Washington, August 31, 1917
”
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yesterdaysprint:

The Tacoma Times, Washington, August 31, 1917

(via r0tt13)

Source: yesterdaysprint

    • #rude
    • #art
    • #octopus
  • 2 years ago > yesterdaysprint
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duckhymn:
“Animal court and Misreading of the situation
1/ Fashion talks | 2/ Secret lovers | 3/ All the tears
”
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duckhymn:
“Animal court and Misreading of the situation
1/ Fashion talks | 2/ Secret lovers | 3/ All the tears
”
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duckhymn:
“Animal court and Misreading of the situation
1/ Fashion talks | 2/ Secret lovers | 3/ All the tears
”
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duckhymn:

Animal court and Misreading of the situation
1/ Fashion talks | 2/ Secret lovers | 3/ All the tears

(via morbi)

Source: duckhymn

    • #oh man
    • #I love those
    • #; u ;
    • #art
    • #anthro
    • #comics
  • 2 years ago > duckhymn
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con-ti:
“ A visual metaphor for falling in love.
”
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con-ti:
“ A visual metaphor for falling in love.
”
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con-ti:

A visual metaphor for falling in love.

(via monere-lluvia)

Source: con-ti

    • #art
    • #comics
    • #relationships
    • #fav
  • 2 years ago > con-ti
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carnetimaginaire:
“Sophie Woodrow, Quartet
”
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carnetimaginaire:

Sophie Woodrow, Quartet

(via musetensil)

Source: carnetimaginaire

    • #art
    • #sculpture
    • #I love this
  • 2 years ago > carnetimaginaire
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nericurls:
“ nikolasdraperivey:
“ FFVII REVISEDOkay, allow me to explain:Recently, it was brought to my attention that some people on my page had a problem with me drawing black people because I, a black man, was drawing far too many of them (and not...
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nericurls:
“ nikolasdraperivey:
“ FFVII REVISEDOkay, allow me to explain:Recently, it was brought to my attention that some people on my page had a problem with me drawing black people because I, a black man, was drawing far too many of them (and not...
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nericurls:
“ nikolasdraperivey:
“ FFVII REVISEDOkay, allow me to explain:Recently, it was brought to my attention that some people on my page had a problem with me drawing black people because I, a black man, was drawing far too many of them (and not...
Zoom Info
nericurls:
“ nikolasdraperivey:
“ FFVII REVISEDOkay, allow me to explain:Recently, it was brought to my attention that some people on my page had a problem with me drawing black people because I, a black man, was drawing far too many of them (and not...
Zoom Info

nericurls:

nikolasdraperivey:

FFVII REVISED

Okay, allow me to explain:Recently, it was brought to my attention that some people on my page had a problem with me drawing black people because I, a black man, was drawing far too many of them (and not as stereotypes or tropes) when I’m known for having diverse character designs in the first place. This struck me as odd because there is literally no problem with me drawing characters of other backgrounds any other time, but the moment I start to draw us in a way that doesn’t make us look like the same stereotypes you’re used to seeing, it’s a problem? Check yourself. I literally got asked, “Do you ever draw white people?” And “You only draw black guys. Why?” In the same morning and I’m like, “Oh so this is a PROBLEM now?” Anyone that has seen my work knows that I draw people from all over. That said, there IS a conscious decision to represent my people in a way that is just and equal to how every other race has been represented since like…forever. Don’t come at me for actually taking the time and effort to show us in positive light. If me drawing people of color as characters and not stereotypes and over used tropes offends you, then get ready to hate my black ass then, because I’m not about to sit by and let us not be represented in a respectful, uplifting and positive light anymore and if you don’t like it well…. Too bad. But since it was an issue with me drawing my own heroes of color, I decided to do other heroes and villains from a game I’m fond of and make them people of color…. I specifically chose FFVII because it’s already a diverse case and to Square Enix’s credit, you could literally tell the same story with these designs. Enjoy.

I. AM. DOWN. WITH. THIS.

(via nericurls)

Source: nikolasdraperivey

    • #art
    • #final fantasy
    • #character design
  • 2 years ago > nikolasdraperivey
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ikalog:
“ ラストフェス!シオカラーズ!
わたしはホタル派
”
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ikalog:
“ ラストフェス!シオカラーズ!
わたしはホタル派
”
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ikalog:

ラストフェス!シオカラーズ!

わたしはホタル派

(via calamity-death)

Source: ikalog

    • #art
    • #splatoon
    • #and also squids
  • 2 years ago > ikalog
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sizma:
“シャケかわいいんじゃあ~(画像と全然関係ない)
”
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sizma:
“シャケかわいいんじゃあ~(画像と全然関係ない)
”
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sizma:

シャケかわいいんじゃあ~(画像と全然関係ない)

    • #looks practical
    • #splatoon
    • #art
    • #cute octopus people
    • #nsfw
    • #???
  • 2 years ago > sizma
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legacy-game:
“ Wandered into an article with 140 iconic cinematic shots, the comments complained there was no explanation to their composition. Decided to give it a run down and keep it to myself.
The compositions are mostly self explanatory but I...
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legacy-game:
“ Wandered into an article with 140 iconic cinematic shots, the comments complained there was no explanation to their composition. Decided to give it a run down and keep it to myself.
The compositions are mostly self explanatory but I...
Zoom Info
legacy-game:
“ Wandered into an article with 140 iconic cinematic shots, the comments complained there was no explanation to their composition. Decided to give it a run down and keep it to myself.
The compositions are mostly self explanatory but I...
Zoom Info
legacy-game:
“ Wandered into an article with 140 iconic cinematic shots, the comments complained there was no explanation to their composition. Decided to give it a run down and keep it to myself.
The compositions are mostly self explanatory but I...
Zoom Info
legacy-game:
“ Wandered into an article with 140 iconic cinematic shots, the comments complained there was no explanation to their composition. Decided to give it a run down and keep it to myself.
The compositions are mostly self explanatory but I...
Zoom Info

legacy-game:

Wandered into an article with 140 iconic cinematic shots, the comments complained there was no explanation to their composition. Decided to give it a run down and keep it to myself. 

The compositions are mostly self explanatory but I wanted to see what patterns I could find. That’s just how you learn stuffs. 

(via musetensil)

Source: legacy-game

    • #art
    • #composition
    • #reference
  • 2 years ago > legacy-game
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A small PSA regarding up-front payment in art sales.

motsaenggin:

Hello.

Before I start talking about this, I would just like to post a bit of a disclaimer saying that this is merely my own personal experience with this type of art sale, and that some of you likely have better experiences than what I do. That having been said, here are my thoughts on selling your artwork through organizations who are not willing to pay you up-front.

I am honestly not certain what this type of sale is even called in English, but some organizations will only agree to sell your product if you are willing to not receive payment for it up-front. 

You may, for example, get the offer that you will receive a certain percentage of each sale, once your artwork actually starts selling. This essentially gives the organization through which you are selling your product an absolute 100% risk-free transaction, in that they don’t have to pay for a product that they are not sure will sell. Additionally, they will receive a (potentially) substantial amount of money for your product if they do end up selling it. 

You, on the other hand, as an artist, are left having to make sure that this organization actually sells your stuff, you have to make sure money is transferred to you with every complete payment, you have to advertise and market that your product exists in that exact location and so on. 

Today I lost almost 300 dollars worth of sales because I sold my first publication like this. To list off why this didn’t work out is due to a variety of factors, some of which I will list below:

  1. The organization through which I sold my artwork changed leadership frequently, and the agreement between me and said organization was conveniently forgotten between each switch.
  2. I was completely new at the market, and I was rather crappy at marketing and advertising myself. The organization, due to how our agreement was shaped out, did not feel the need to market anything.
  3. Due to poor communication between me and the organization I sold my artwork through, I did not catch on that they were apparently closing down permanently a while back. As a result, the artwork I had exhibited there is now gone, just like the organization itself.

I should note at this point that the artwork I sold was a small drawing booklet, and that I didn’t give away too many copies of it. I thought that a gallery would provide me with a good place to start off my hobby career(?), but I did a ton of mistakes in assuming they would do any of the marketing work for me in promoting what I had made.

TL;DR: new artists, please be very careful in agreeing to sell your artwork without receiving payment up-front. You might lose out on a lot of money, and there is a ton of headache involved in making sure that the people you sell your stuff through are doing their part in promoting your stuff. 

Again, this is only my personal experience, and I am certain that some of you will respectfully disagree with the picture I paint here. Please take it as a heads-up rather than a “DON’T YOU DARE EVER DO THIS”, because I am certain there are serious businesses out there who are more than willing to help you out with kicking off your art career!

Thank you for reading, and have a nice Easter!

    • #my artsy acquaintances would report similar experiences
    • #signal boost
    • #art
  • 2 years ago > motsaenggin
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    ostinlein:

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    Forgot to mention it on Deviantart - I’ve opened Fur Affinity account!

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    Back in January, our research biologists came across this octopus when pulling up a stone crab trap in Cedar Key. Octopus can get in...

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  • Photoset via monere-lluvia

    ostinlein:

    Commission for https://www.deviantart.com/sweet-n-treat

    Forgot to mention it on Deviantart - I’ve opened Fur Affinity account!

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